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Born from a mutual admiration, with Foat praising Gigi’s Wind LP and Masin citing Foat’s Symphonie Pacifique as influences, together these heroes in their respective fields have created something more than the sum of its parts. An exquisitely crafted, silky blend of kosmische, jazz, vintage soundtrack vibes and ambient, Dolphin takes you to a balmy sundown place of peace.
Utilizing “an electric piano, sounds from my digital library and an old iPad2” (Masin) and “grand Piano, Vibraphone and lots of vintage synthesisers” (Foat), the former’s melancholy melodies meet the latter’s laid back, slo-mo grooves, which pour out like honey. Herbert’s huge unfurling basslines, and taught Pistorius-style fretless are paired with Boyd’s sturdy but swinging drums, whilst warm synths create pastel-colour clouds, through which emerge smokey keys, flute and piano.
Both artist’s signature styles are here, but blended with such smooth liquidity that the pairing seems like the most natural no-brainer ever.